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Home K-movies Serial ‘Ekta Kapoor offered me a couple of serials after I stopped playing Om’

‘Ekta Kapoor offered me a couple of serials after I stopped playing Om’

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Actor Kiran Karmarkar tells Dhaval Roy that he is happier doing cameos and is not doing another soap


You are making a guest appearance in Saarrthi. What’s your role? 

• I play Bankim Ahuja, a business tycoon settled abroad, who considers Devji Goenka his guru. Bankim is really impressed with the daughter-in-law Bhoomika, because she used to be a domestic help and has become a big businesswoman now. He proposes a business deal to her. That’s my role, which will be on air for three episodes. 
Why did you choose such a short role, when you could get a lengthy one? 

• I chose the role because producer Asit Modi is a friend and he approached me to play it. And, the channel 
and my role are also good. 
You also did a story in Darna Mana Hai. Why are you doing only cameos? 

• I’m deliberately doing only short roles because I cannot handle the pressure of working 25 days a month. At the same time, I want to tell people that I’m still working and haven’t taken retirement from acting. 
How’s life after Kahani Ghar Ghar Ki? 

• I just took rest for four to five months, played with my kids, ghooma phira. Basically I did whatever I couldn’t do when I was doing KGGK. Now I’m back to working hard. 
When you announced that you were quitting KGGK, the buzz was that it was only a publicity gimmick and you’d come back... 

• When I said I was leaving KGGK, people didn’t believe me at first. When I left, they said that I’m going to be back. But I’m not coming back. I cannot deal with the pressure any more. I need my two to three days of rest every now and then in a month, which won’t be possible if I do a soap opera. 
Ekta Kapoor is known to have banned artistes who walk out from her serials. Rajiv Khandelwal, for example. Does it hold the same for you? 

• I’ve no problems with Ekta Kapoor at all. When I told her about my issues, she understood completely. In fact, she offered me a couple of more serials after I stopped playing Om. But, I told her that it’s not possible for me to do soaps any more. Whenever I turn an offer down, I do it most humbly so that no one feels that I am being too big for my boots. 
Didn’t quitting one of the most popular shows mean compromising on popularity too? 

• I believe popularity is very transient. Your popularity is only as good as your last serial or character. If you do good work, you’ll be popular, whether it’s a long series or a cameo. I don’t think my popularity will suffer, because I’ll keep doing shows every now and then. 
What projects are you working on right now? 

• I have Saarrthi and two plays — Kachchey Lamhe and a complete comedy Mera Naam Joker, being produced and directed by Shubha Khote and written by Bhavna Balsaver. In films, I have two Marathi and two Hindi projects, which I cannot talk about for at least two months. So, the audiences are going to be seeing much more of me in the next three months.


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Description: Anita Hassanandani Aks
Kareena Kapoor Vogue Magazine Photoshoot_2
Description: Kareena Kapoor Vogue Magazine Photoshoot
Sanaya Irani_2
Description: She played a small role in the movie \'Fanaa\". She appeared in a number of TV commercials is also in the TV Serial \"Left Right Left\" and now in Star One\'s new show Miley Jab Hum Tum

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SITA HAS NEVER been a particularly interesting female icon, especially to a city-bred generation that grew up with the alternately coy and weepy Deepika Chhikalia who was Ramanand Sagar’s version. The Mahabharata and its women, the strong-minded Kunti, the feisty Draupadi, have always seemed far more arresting, more complicated. But the Mahabharata was not “the book kept at home” – that privilege was (and is) accorded, as Namita Gokhale points out, to the Ramayana. The Sita trope recurs throughout Indian popular culture, from the pregnant Leela Chitnis thrown out of the house by a suspicious Prithviraj Kapoor in Awara to the heroines of Ekta Kapoor serials today. The submissive, self-sacrificing Sita we owe to Tulsidas became the nationalised version. “But Sita has been multifarious all along,” says Malashri Lal. “We just haven’t paid attention.” So she and Gokhale set out to reexamine Sita’s place in the Ramayana – and in our lives.

In Search of Sita forces the damsel-in-distress to jostle for space with the child strong enough to lift up the Bow of Shiva with one hand even as she swabbed a floor with the other. It places the model wife against (or alongside) the independent single mother. There’s an earthy Sita and an ethereal one; the lovelorn girl and the articulate spouse. Like the Bhojpuri women who sing their lives through her, we can all now have a Sita of our choosing.


IN SEARCH OF SITA: REVISITING MYTHOLOGY
Ed. Namita Gokhale and Malashri Lal
Penguin / Yatra

270 pp; Rs 399